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The Grace Museum Exhibition - Early Photographic Portraits from the Permanent Collection

  • The Grace Museum
  • 102 Cypress St.Abilene
  • 325-673-4587Lori Thornton
  • 09/27/19 - 04/24/21
  • Open to visitors Saturdays from 10 a.m. to 5 p.m.
  • $6 Adults; $3-seniors, students and educators with ID, non-active duty military; Free-Children ages 3 and younger, museum members, active duty military and families with ID

Capturing a likeness goes back to the earliest of times, however, with the invention of cameras in the 1800s, portraits became more popular and easily attainable. Cartes-de-visite and Cabinet Cards were albumen prints mounted on small cards, typically portraits of the subject. The Cartes-de-visite, invented in France, were smaller cards made between the 1860s and 1870s. A larger portrait, called the Cabinet Card, was popular up until the late 1900s. Professional photographers typically took photographs in their studios and made several copies of the cards for the individual to give to friends and family. Tintypes, popular from the 1850s until the 1890s, were sometimes a cheaper option than earlier daguerreotypes for those part of the working classes.

The photographs in this exhibition are from the permanent collection of The Grace Museum. Although most of the individuals in the photographs (besides those of the royal family) are anonymous, their clothing, their pose, their gaze, all are signs of the Victorian Era they lived in.

 
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The Grace Museum Exhibition - Et Al: Found Object Features from the Permanent Collection

  • The Grace Museum
  • 102 Cypress St.Abilene
  • 325-673-4587
  • 04/21/20 - 04/06/21
  • Open to visitors Saturdays from 10 a.m. to 5 p.m.
  • $6 Adults; $3-seniors, students and educators with ID, non-active duty military; Free-Children ages 3 and younger, museum members, active duty military and families with ID

The fine art of found objects defied the status quo to become a major art movement in the last decades of the 20th century. Inspired by Picasso and Braque’s 1912 experiments with paper and print and Marcel Duchamp’s “readymades”, Dada and Surrealism made anything and everything a medium for serious art making. Appropriation of images from popular culture took the form in realistic paintings of objects, collage work and printmaking. Subsequently, the appropriation of found objects into two and three-dimensional mixed media assemblage work became the bedrock of 21st century, interactive, art installations. This exhibition presents a selection of art work based on appropriated found objects in a variety of media selected from The Grace Museum permanent collection by Kirk Hayes, Robert Rauschenberg, Vernon Fisher, Linda Ridgway, Martin Delabano, William Farr, and Clint Hamilton.

 
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The Grace Museum Exhibition - Votes for Women: A Portrait of Persistence

  • The Grace Museum
  • 102 Cypress St.Abilene
  • 325-673-4587
  • 10/02/20 - 03/25/21
  • Open to visitors Saturdays from 10 a.m. to 5 p.m.
  • $6 Adults; $3-Seniors, students and educators with ID, non-active duty military; Free-Children ages 3 and younger, museum members, active duty military and families with ID

The story of women's suffrage is a story of voting rights, of inclusion in and exclusion from the franchise, and of our civic development as a nation. Votes for Women: A Portrait of Persistence, a poster exhibition from the Smithsonian, celebrates the 100th anniversary of the Nineteenth Amendment and explores the complexity of the women's suffrage movement and the relevance of this history to Americans' lives today.

 

Children's Performing Art Series at Home

  • Virtual Event
  • Virtual Event
  • 325-677-1161
  • 01/06/21 - 06/30/21
  • $45=Per Package

Virtual theater packages for families. Enjoy a professional children's theater show at home! 

 
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The Grace Museum Exhibition - Creating a Community: The State Epileptic Colony in Abilene

  • The Grace Museum
  • 102 Cypress St.Abilene
  • 325-673-4587
  • 01/16/21 - 07/16/22
  • Open to visitors Saturdays from 10 a.m. to 5 p.m.
  • $6 Adults; $3-seniors, students and educators with ID, non-active duty military; Free-Children ages 3 and younger, museum members, active duty military and families with ID

This exhibition will highlight the early history of the State Epileptic Colony in Abilene through over 50 photographs from The Grace’s permanent history collection. In 1904, the institution was founded to help individuals with epilepsy through research, care, isolation, and offering a place to work and live. The complex consisted of an administration building, a power plant, a women’s and men’s hospital, four cottages, and a home for the superintendent. The hospital was a state of the art facility and housed 200 patients by the fall of 1904. By the 1920s, the state of Texas expressed the desire to include individuals with mental health disabilities and renamed the colony the Abilene State Hospital and added a recreation building, x-ray laboratories, twin dormitories, and a warehouse. The named changed to Abilene State School in the 1950s and later the Abilene State Supported Living Center. The current living center is dedicated to treatment, rehabilitation, independence, and helping individuals feel safe and healthy.

 
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The Grace Museum Exhibition - Margo Sawyer: Blue

  • The Grace Museum
  • 102 Cypress St.Abilene
  • 325-673-4587
  • 01/23/21 - 08/07/21
  • Open to visitors Saturdays from 10 a.m. to 5 p.m.
  • $6 Adults; $3-Seniors, students and educators with ID, non-active duty military; Free-Children ages 3 and younger, museum members, active duty military and families with ID

In 2018, The Grace Museum was privileged to acquire Margo Sawyer’s acclaimed 1998 sculptural installation BLUE through an unprecedented collaboration with The Contemporary Austin and the Blanton Museum of Art at The University of Texas Austin. For this exhibition Sawyer installs BLUE in response to The Grace Museum’s unique historical galleries and creates REFLECT featuring new work as an ongoing conversation with the past and present. The site-specific installation BLUE was originally created during Sawyer’s 1998 Austin Museum of Art residency program at Laguna Gloria. BLUE has been described as a miniature city, an Oriental carpet, an ocean and a garden just out of reach with thousands of hand crafted elements arranged to reference Sawyer’s world travels to exotic places like the Indian city of Jodhpur, where blue doors, windows and steps follow the Brahmin tradition. Upon closer inspection, universal visions of blue skies and bodies of water are interrupted with earth elements, objects and reflective surfaces that tease the eye and broaden focus to include the beauty and transcendence of abundance, diversity and individuality of the complex world we inhabit.